Performances

回溯:Co-constructing a Dual Feedback Apparatus (2026)
A duet performance between two intelligent musical instruments 溯(sù, to trace back; to go upstream) and Agentier (playing on agentic clavier), and their human performers, connected through feedback loops. The 溯 operates in the audio space through latent representation, while the Agentier functions in the control space. Contrasting feedback in the audio and control domains, the performance explores shared agency, resistance, and negotiation between humans and intelligent musical systems. Musical phenomena are co-produced through the entangled states of interaction, rather than through pre-existing system configuration or fixed mappings.
Unspoken. (2024)
A mixed reality duet performance that explores the aesthetic possibilities of augmented reality technology as a medium for collaborative musical expression. Musicians with their tangible musical systems, communicate gestural and spatial musical intentions through a shared AR interface.
破境 //beyond realms. (2023)
An improvised dialogue between an augmented reality instrument and a physical Volca synthesizer explores the tensions and connections of mixed reality interactions through color-coded communication.
Music(re)ality (2023)
A collaborative improvisation between virtual and real world, featured at NIME2023.
Cubing Sound Ensemble (2022)
An audio-visual ensemble performance using Cubing Sound, as part of The Connected Creativity Algorave gig at OzCHI 2022.
Cubing Sound at Electronique (2022)
A purely sonic performance with Charles Martin using my Cubing Sound mixed reality instrument in Microsoft HoleLens.
Sunset Inspo (2021)
A creative live coding artwork that uses Extempore and P5.js to present a real-time audiovisual performance. The theme of the work came from my experiences of watching sunset at Canberra (a tiny but lovely city)!